the
fanboy book shop:
Love
Is Hell : A Cartoon Book, by Matt Groening
It's the 10th Anniversary Edition of Love Is Hell! A book that's
been in the making for a solid decade! This medium-sized guide is
now available to the public with extra bonus fun-pages never-before-included
in previous volumes of the same name!
Slightly
less scrawny than the original Love Is Hell, this behemoth-style
handbook is jam-packed with all the info YOU need to keep your love-fight
burnin'! Frankly written and profusely illustrated by famed cartoonist
and merchandising monarch Matt Groening, Love Is Hell is the answer
to all your Quandaries de l'Amour, or, as we say in American, Love
Quandaries. Inside, you'll find handy tips on everything from Getting
the Love You Deserve to Getting Your Heart Broken into Millions
of Tiny Pieces. Plus so very much more. Why, we've even included
a brand-spankin'-new intro by the author himself, written especially
for this incredible 10th Anniversary Edition!
The
Worst-Case Scenario Survival Handbook: Dating and Sex by Joshua
Piven, David Borgenicth, Jennifer Worick, David Borgenicht
The authors of the best-selling The Worst-Case Scenario Survival
Handbook are back--and they've brought a date. Whatever your own
dating nightmares are, take it from the professionals, things can
get worse. Just in time for Valentine's Day, here are dozens of
scenarios covering every phase of the romantic--or not so romantic--turn
of events. Learn how to remove stubborn articles of clothing, slip
away from a blind date, and get rid of unsightly stains. Discover
the secrets of dealing with a bad kisser and of surviving a meeting
with your date's parents. Hands-on, step-by-step illustrated instructions
help guide you through these and many more perils d'amor. Tasteful
and useful, and with an appendix of great pickup lines, breakup
lines, and all-purpose excuses, this is the book you need when you
wake up next to someone whose name you can't remember.
The
Bad Girl's Guide to Getting What You Want
by Cameron Tuttle, Susannah Bettag (Illustrator)
Deep down, every woman wants to be a Bad Girl. But after living
a life of sweetness and light, it's sometimes difficult to stray
from the path. Cameron Tuttle (author of the riotously funny Bad
Girl's Guide to the Open Road) points the way in The Bad Girl's
Guide to Getting What You Want.
Tuttle
offers up tips to help even the saintliest soul find her inner Bad
Girl--and then use that power to get better dates (date yourself
for a while first, until you're ready to dive in the dating pool);
a better job (don't just settle for job satisfaction, aim for "job
jubilation, job nirvana, job titillation"); and better parking
(pray to Gladys, the universal parking goddess). With its sassy,
iced-lavender cover--just the right size to slip into your purse--the
Guide is jam-packed with practical and not-so-practical-but-funny
advice, including excellent answers to one of life's most pressing
questions: What do you do with old bridesmaid dresses? "Drench
with ketchup and dress up as Carrie for Halloween"; "Sew
into board bags for your snowboard and surfboard"; and, best
of all, "Make your bridesmaids wear them in your wedding."
Remember: it's great to be a girl, but it's even better to be a
Bad Girl.
Sexual
Chemistry :
A History of the Contraceptive Pill
by Lara Marks
Often regarded as "one of the most important landmarks of the
twentieth century," the contraceptive pill has achieved both
more and less than its original early 20th-century advocates had
hoped. Medical historian Marks, a senior lecturer at Imperial College,
University of London, shows how concerns about population growth,
along with the West's post-WWII faith in scientific progress, led
to the century's first "designer" or "lifestyle"
drug. She explains how new developments in chemistry and the discovery
of hormone-yielding wild plants made birth control pill research
possible, and why it took so long to develop. She also shows how
cultural factors affected women's eagerness or reluctance to try
the new method of contraception. Though much criticism has been
leveled at the medical establishment for rushing the pill to market
without sufficient testing, Marks points out that experimental protocols
were vague during this period, and argues that contraceptive researchers
were stymied by the difficulties of testing the pill outside of
strictly controlled lab conditions. Marks is evenhanded in her treatment
of sensitive issues, such as the Black Power movement's perception
of birth control as racist, and the Catholic Church's theological
objections. Though the pill has proved too expensive for widespread
use in developing countries, it has been embraced by middle-class
women and has made possible career and lifestyle choices we now
take for granted.
Incredibly
Strange Music (Re/Search ; 14)
Re/Search continues its exploration of the tackiest, most bizarre,
most outrageous artifacts of the recently bygone vinyl era. Rescued
from garage sales and thrift stores by dedicated (and disturbed)
collectors, these oddball treasures reflect such genres as ethno-exploitation
(e.g., fake Polynesian exotica music); celebrities-gone-wrong (The
Two Sides of Leonard Nimoy); occupation-specific albums by singing
policemen, singing wrestlers, and the one-of-a-kind Singing Logger
(Where Walks a Logger, There Walks a Man); right-wing folk music
(The Goldwaters Sing Folk Songs to Bug the Liberals); and the unclassifiable
(unspeakable?), such as an entire album of flatulence (incredibly
strange, to be sure, but music?). The second helping offers more
interviews with some of the artists responsibleamong them, blue
comedienne Rusty (Knockers Up!) Warren, word jazz artist Ken Nordine,
synthesizer pioneer Robert Moog, and legendary five-octave vocalist
(and purported Inca princess) Yma Sumacand chats with prominent
collectors. Adding to the fun are reproductions of the covers of
dozens of camp classics, from Jerry Falwell's Where Are the Dead?
to a Barry Whitestyle disco single by Louis Farrakhan.
Breakup
Girl to the Rescue! :
A Superhero's Guide to Love, and Lack Thereof by Lynn Harris, Chris
Kalb (Illustrator)
"Saving Love Lives Everywhere, It's--Breakup Girl to the Rescue!
Only one superhero fights crimes of the heart, stops dating indignities,
and helps you get your stuff back: Breakup Girl. Knowing and generous,
Breakup Girl combines superpower and savvy in refreshingly witty
relationship advice, drawing on real letters sent to the award-winning
BreakupGirl.com Web site. Whether you're in a relationship, ending
one, or just trying to get a second date, Breakup Girl to the Rescue!
guides you through that crazy, messy thing called love. Or that
even messier thing: the lack thereof."
You don't need a current hole in your heart to profit from Breakup
Girl's sly and provocative wisdom. Don't be deceived--she is much
more than Dear Abby with better hair, a delicious sense of humor
and probably a Mensa card. Breakup Girl is a shrewd chronicler of
urban angst and The Way We Are Now. Her talent for capturing complex
feelings of need and entitlement in the Millenial variety of relationship
issues never fails to amuse (e.g. on Long-Distance Relationships--"If
you really loved me, you'd take the Concorde.")
|
|
|
the
fanboy DVD store:
WarGames
Cute but silly, this 1983 cautionary fantasy stars Matthew
Broderick as a teenage computer genius who hacks into the
Pentagon's defense system and sets World War III into motion.
All
the fun is in the film's set-up, as Broderick befriends
Ally Sheedy and starts the international crisis by pretending
while online to be the Soviet Union. While the Broderick/Sheedy
romance is a sub-plot it does make this film a good choice
for romantic dates that have a high geek factor! Even non-geek
dates can get into the 80s nostalgia.
George
Lucas in Love
A hilarious and affectionate parody of both the Star Wars
films and the Oscar-winning Shakespeare in Love, George
Lucas in Love provides more wit and intelligence in eight
minutes that most full-length feature films do in 90.
It's
1967, and George Lucas (Martin Hynes) is only three days
from graduating from film school. The "agricultural
space tragedy" he's been working on isn't going well
at all. Taunted by his asthmatic rival (who wears a black
cape), flummoxed by his adviser (who speaks in backwards
sentences), he's at wit's end, until inspiration arrives
in the form of the comely Marion (Lisa Jakub), the leader
of the student campus rebellion who sports a distinctly
familiar hairdo featuring twin buns. Funny without being
too in-jokey, and clever but never full of itself, George
Lucas in Love is a perfect example of the short film parody:
it never wears out its welcome.
Sid
& Nancy - Criterion Collection
Its a punk story of love gone wrong and a harrowing
look at the bizarre, self-destructive, and curiously compelling
relationship between British punk rock singer Sid Vicious
(of The Sex Pistols) and American groupie Nancy Spungen
in the 1970s.
Director Cox achieves a masterful level of docu-realism,
then laces it with allegorical dream images, with striking
results. At the core of the film are two remarkable performances,
by Oldman and Webb, who don't seem to be performing at all:
they are Sid and Nancy. A downer, to be sure, but fascinating.
Keep an eye out for geek-godess Courtney Love in a very
minor role!
Pin
Up Queen
Betty Page was the top pinup queen of the '50s, fabled in
poster and postcard, featured performer in three burlesque
films, and probably more we can only dream about. This disc
features numerous exotic dance films Betty did between 1951
and 1956, serving as something of an historical record of
the burlesque arts as you're not likely to see elsewhere.
Clips of Betty abound from the films of Irving Klaw (you
can't make up names like that), including Varietease, Striporama,
and Teaserama, and six 8mm or 16mm shorts that have all
the resolution of a Muybridge motion study. Although the
provocative nature of the dances is quaint by modern standards,
Betty has the kind of quality that stands the test of time,
making this collection indispensable for aficionados of
our erotic past. It's funny, sassy, catty--an important
cultural-historical record and a quaint fantasy aid all
rolled into one.
The
Bride of Frankenstein
It appeared, at the end of the epochal 1931 horror movie
Frankenstein, that the monster had perished in a burning
windmill. But that was before the runaway success of the
movie dictated a sequel. In Bride of Frankenstein, we see
that the monster (once again played by Boris Karloff) survived
the conflagration, as did his half-mad creator (Colin Clive).
This remarkable sequel, universally considered superior
to the original, reunites other key players from the first
film: director James Whale (whose life would later be chronicled
in Gods and Monsters) and, of course, the inimitable Dwight
Frye, as Frankenstein's bent-over assistant.
Whale
brought campy humor to the project, yet Bride is also somehow
haunting, due in part to Karloff's nuanced performance.
The monster, on the loose in the European countryside, learns
to talk, and his encounter with a blind hermit is both comic
and touching. (The episode was later spoofed in Mel Brooks's
Young Frankenstein.) A prologue depicts the author of Frankenstein,
Mary Shelley, being urged to produce a sequel by her husband
Percy and Lord Byron. She's played by Elsa Lanchester, who
reappears in the climactic scene as the man-made bride of
the monster. Her lightning-bolt hair and reptilian movements
put her into the horror-movie pantheon, despite being onscreen
for only a few moments. But in many ways the film is stolen
by Ernest Thesiger, as the fey Dr. Pretorious, who toasts
the darker possibilities of science: "To a new world
of gods and monsters!" Absolutely.
|
|
|